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3 Nov 16:59	STAGE	Three at the Top: What Munich Wants to Adopt from BaselA director, a dramaturg, an actor: the Kammerspiele’s incoming leadership team is bringing a Basel model to Munich — with questions still open.
3 Nov 16:59	MUSIC	Hearing Biermann without seeing only the dissidentFor his 90th birthday: why Wolf Biermann’s songs cannot be reduced to their political history.
3 Nov 16:58	VISUAL ARTS	Sophie Calle and the Museum as a Site of MemoryAt Hamburger Bahnhof, Sophie Calle links memories of Berlin with the museum’s history — and creates a work for its 30th anniversary.
3 Nov 16:58	STAGE	Two Bodily Orders Set to StravinskyA Greek god and a community engaged in ritual: La Scala brings two very different Stravinsky ballets together in one evening.
3 Nov 16:58	VISUAL ARTS	Exhibiting fear without exploiting itThree artistic approaches at Vienna Art Week present fear as a bodily, political and social experience – and seek ways of dealing with it.
3 Nov 16:58	STAGE	Rosa Luxemburg across mediaAnica Tomić brings Rosa Luxemburg’s story to the stage at the Deutsches Theater, following its treatment in film and a graphic novel.
3 Nov 16:58	LITERATURE	Non-fiction as public self-examinationPolitics, artificial intelligence, vulnerability: three shortlisted titles show just how wide-ranging the questions addressed by socially relevant non-fiction can be.
3 Nov 16:57	FILM	Fatih Akin’s ‘Geister’ (Ghosts): A Love Between Dream and RealityAn encounter, a sudden loss, forty nights in dreams: Fatih Akin’s new film ‘Geister’ (Ghosts) opens in German cinemas on 5 November.
3 Nov 16:57	CULTURAL POLICY	What binding commitments Berlin should make to its cultural sectorA cultural funding law could put procedures on a firmer footing. But the crucial question – how much money is available – will still be decided through the budget.
3 Nov 08:25	STAGE	Three new works, one company: how Semperoper Ballett is developing its identityWith “Different Grounds”, three choreographic voices meet a classically trained company. The result is more than an evening of three world premieres: an attempt to make an institution legible in a new way.
3 Nov 08:25	MUSIC	When a Festival Leaves the Concert HallBetween a former factory, a sound installation and a concert hall, listening becomes a question of place – and of the attention it demands.
3 Nov 08:24	ARCHITECTURE & DESIGN	Adam Szymczyk at the Swiss Architecture Museum: Architecture as DebateAn art curator is leading Basel’s architecture museum. The changes under Adam Szymczyk are initially emerging through questions about exhibitions, the institution and its audience.
3 Nov 08:24	CULTURAL POLICY	Mentoring in the Cultural Sector: Career Support or a Shift in Power?26 women are joining the German Cultural Council’s six-month mentoring programme. The greater test, however, lies with institutions and their staffing and decision-making processes.
3 Nov 07:51	LITERATURE	John Berger: Who owns the gaze?Berger connected close attention to images with questions of power and everyday life. But when does social criticism itself become a template?
3 Nov 07:50	FILM	Shida Bazyar between a literary prize and the big screenOne novel becomes a film, while its author wins an award for another book: what this double attention means for Bazyar’s themes.
3 Nov 07:50	ARCHITECTURE & DESIGN	What holds the city together, for the time beingThey guide routes, protect people and make repairs possible: the Architekturzentrum Wien brings the often overlooked infrastructure of the provisional into the spotlight.
3 Nov 07:35	LITERATURE	Klaus Mann: Literature as an Organised Public SphereIn exile, Klaus Mann created forums against isolation through magazines. Their ambitions were great, their existence precarious.
3 Nov 07:34	VISUAL ARTS	Karen Kilimnik: Who Owns the Images of Desire?Two exhibitions explore Karen Kilimnik’s visual universe of fairy tales, ballet and glamour – and the question of who is allowed to belong within it.
3 Nov 07:33	STAGE	Ewald Palmetshofer and the question of what people hold on toThe award-winning playwright places his characters in a world where old certainties are fading. His plays ask what follows.
1 Nov 21:34	VISUAL ARTS	Who builds the apparatus of our perception?In Appenzell, open sculptural systems meet videos about language, images and power. Two exhibitions place different emphases.
1 Nov 21:32	STAGE	How a ballet is passed onCranko’s Romeo and Juliet returns to the stage in Stuttgart. A look at what is preserved when choreography is passed on — and what is allowed to change.
1 Nov 21:29	LITERATURE	Reading Cohen without hearing the melodyHis songs are so familiar that they interrupt us as we read. An essay on Cohen’s poetry, prose and the power of our own expectations.
1 Nov 21:27	MUSIC	Erfurt’s opera handover begins before the new team takes officeThe new managing director starts in 2026, the incoming general director not until 2028. How Erfurt needs to organise the long transition.
1 Nov 21:24	VISUAL ARTS	An art prize as a decision about the collectionThe Wolfgang Hahn Prize honours Lee Ufan – and channels money into the Museum Ludwig’s collection. Who makes the selection, and what does it mean for the collection?
1 Nov 21:21	STAGE	Whose present speaks through ‘Hamlet’?A prince wants to put the world right. At the Berliner Ensemble, Ersan Mondtag and Wilke Weermann examine the violence inherent in that ambition.
1 Nov 21:20	FILM	Which Images Explain the Holocaust – and Which Replace Critical Thought?From camp fences to deportation trains: cinema has established motifs that support remembrance – but can also obscure historical complexity.
1 Nov 21:15	VISUAL ARTS	Mel e Logan explores the body's invisible worlds in ViennaMicrobes, bodily fluids and sound: Mel e Logan invites visitors to an exhibition between art and research at the Heiligenkreuzerhof.
1 Nov 21:14	ARCHITECTURE & DESIGN	After the service: who sustains the open church?New designs reimagine churches as cultural venues. Bochum makes clear that the crucial question often only arises after the architectural model.
1 Nov 21:11	CULTURAL POLICY	Funding without ideological conditions: where does interference begin?Funding requires evidence of how money is used. Disputes begin where political objectives encroach on artistic decisions.
1 Nov 20:57	LITERATURE	Between the shortlist and the encounterA nomination is not the end of reading, but often its public beginning. How a list becomes conversations and encounters with books.