Holocaust Images in Cinema: Remembrance and Cliché
From camp fences to deportation trains: cinema has established motifs that support remembrance – but can also obscure historical complexity.
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To mark Hamburger Bahnhof’s 30th anniversary, Sophie Calle turns her attention to the history of the museum and Berlin. Her exhibition combines photographs, texts and found objects with a new work for the collection.
READ THE PREVIEWFrom camp fences to deportation trains: cinema has established motifs that support remembrance – but can also obscure historical complexity.
→Vanished GDR symbols, an abandoned hotel and a new gift: Sophie Calle encounters a museum’s politics of memory.
→Not every gap needs to be filled. On a culture that looks closely without defining people and history once and for all.
→An invented place, a suppressed past: Shida Bazyar’s novel asks what home conceals and what literature can bring to light.
→From ‘Irmina’ to Emmie Arbel: the comics artist explores how personal memory and history come together in images.
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