EDITORIAL
Art needs security to take risks
On the fragility of artists’ lives, the responsibility of institutions and the courage to relinquish certainties.
→3 articles from all sections, newest first.
With the first German museum acquisitions of works by Auguste Rodin in 1894, Dresden made a statement in support of contemporary art. The Rodin exhibition at the Albertinum also explores how a collection shapes the concept of modernism – and what history its self-presentation can obscure.
READ THE BACKGROUNDOn the fragility of artists’ lives, the responsibility of institutions and the courage to relinquish certainties.
→“HER STORY” explores the women artists in the Albertina’s collection. Donations and knowledge of the holdings reveal what lasting visibility depends on.
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